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Chisum - Wikipedia. Chisum is a 1. 97. Warner Bros. Technicolor. Western film starring John Wayne in Panavision. The large cast also includes Forrest Tucker, Christopher George, Ben Johnson, Glenn Corbett, Geoffrey Deuel, Andrew Prine, Bruce Cabot, Patric Knowles, and Richard Jaeckel.
Directed by Andrew V. Mc. Laglen, it was adapted for the screen by Andrew J.
The Squeeze is a derivative golf version of The Hustler that plays like a bad USA Network movie from 1993. Watch Ride, Rise, Roar Youtube. Christopher MacDonald is great, though. Devil's Thumb Ranch Resort & Spa is a highly regarded and environmentally friendly year-round Ranch resort and spa offering rustically upscale accommodations, fine.
Fenady from his short story, "Chisum and the Lincoln County Cattle War". Although this movie is historically inaccurate in many details, it is loosely based on events and characters from the Lincoln County War of 1. New Mexico Territory, which involved historical figures John Chisum, (1. Pat Garrett (1. 85. Billy the Kid (1.
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William H. Bonney] among others. Synopsis[edit]John Chisum (John Wayne), a virtuous, patriarchal land baron, locks horns with greedy Lawrence Murphy (Forrest Tucker), who will stop at nothing to get control of the trade and even the law in Lincoln County, New Mexico Territory. Chisum is an aging rancher with an eventful past and a paternalistic nature towards his companions and community.
Murphy, a malevolent land developer, plans to take control of the county for his own personal gain. The story begins with Murphy's men tipping off Mexican rustlers who plan to steal Chisum's horses. Chisum and his sidekick Pepper (Ben Johnson) stop the bandits with help from a newcomer to the area, William H.
Bonney (Geoffrey Deuel), also known as "Billy the Kid". A notorious killer, Billy has been given a chance to reform by Chisum's philanthropic Britisher neighbor, rancher Henry Tunstall (Patric Knowles). Billy also falls for Chisum's newly arrived niece, Sallie (Pamela Mc. Myler). Murphy is buying up all the stores in town and using his monopoly to push up the prices. He appoints his own county sheriff and deputies. He also brings in a lawyer, Alexander Mc. Sween (Andrew Prine), whose principles lead him to switch sides and seek work with Chisum and Tunstall.
The two ranchers set up their own bank and general store in town under Mc. Sween's control. Chisum's land and cattle remain targets. Murphy's men attempt to steal Chisum's cattle before he can sell them to the United States Army. Chisum's ranch hands are warned by Pat Garrett (Glenn Corbett), a passing buffalo hunter. Garrett agrees to help Chisum and soon befriends Bonney. Together they foil an attack by Murphy's men on the wagons bringing in provisions for the new store.
Fed up with Murphy's underhanded activities, British rancher Henry Tunstall rides off to Santa Fe to seek the intervention of Territorial Gov. Sam Axtell (Alan Baxter). On the way he is intercepted by Murphy's deputies, who falsely accuse him of cattle rustling and shoot him dead. Chisum and Garrett hunt down the deputies and bring them back to town for trial.
Bonney, seeking revenge for the murder of his mentor and skeptical that the men will truly face justice in town, overpowers Garrett by surprise and shoots dead both deputies. Before corrupt Sheriff Brady (Bruce Cabot) can organise a posse, Billy rides into town and kills him, too. Murphy appoints bounty hunter Dan Nodeen (Christopher George) as the new sheriff, giving him orders to hunt down Bonney.
Nodeen has a score to settle, as a previous encounter with Bonney has left him with a permanent limp. Billy's plans for revenge are only just beginning. He breaks into Mc.
Sween's store looking for dynamite to rob Murphy's bank. He is spotted by Nodeen, who surrounds the store with Murphys's men. Mc. Sween's wife is allowed to leave. Mc. Sween later comes out unarmed but Nodeen shoots him in cold blood. Chisum is alerted by Mc. Sween's wife (Lynda Day George) and rides into town with his ranch hands. The main street is blocked, so Chisum stampedes his cattle through the barricades.
He tracks down Murphy and takes him on in a fist fight which ends with both men falling from a balcony. Murphy ends up impaled on steer horns. With his paymaster dead, Nodeen flees, with Billy in pursuit.
The film ends with Garrett taking over as sheriff and it is implied that is settling down with Sallie. It is learned that famous U. S. Army General Lew Wallace has become governor of the territory. With law and order restored, Chisum can resume his iconic vigil over the Pecos valley. Production[edit]Michael A. Wayne, executive producer, took on the project of making Chisum because he felt the story summed up well his father's political views.
The sizeable cast is packed with familiar faces from earlier John Wayne films, as well as friends such as Forrest Tucker. It was filmed in 1. Durango, Mexico.[4][5] The picturesque vistas of the area were captured by cinematographer William H. Clothier. The film was originally made for 2.
Century Fox, but they sold the film to Warner Bros.[6]John Wayne was on the set of Chisum when he heard of his nomination for an Academy Award in 1. True Grit. The song "The Ballad of John Chisum" was narrated by William Conrad, the song "Turn Me Around" was sung by Merle Haggard. During filming, John Mitchum, brother of Robert, introduced John Wayne to his patriotic poetry. Seeing that Wayne was greatly moved by those words, Forrest Tucker suggested that the two collaborate to record some of the poetry, which resulted in a Grammy- nominated spoken- word album, America: Why I Love Her. Chisum re- united several actors from Sands of Iwo Jima including John Wayne, John Agar, Forrest Tucker and Richard Jaeckel. Box office and reception[edit]Released in June 1.
U. S. President. Richard Nixon commented on the film during a press conference in Denver, Colorado, on 3 August 1. In doing so, he used the film as a context to explain his views on law and order: [7]Over the last weekend I saw a movie–I don't see too many movies but I try to see them on weekends when I am at the Western White House or in Florida–and the movie that I selected, or, as a matter of fact, my daughter Tricia selected it, was "Chisum" with John Wayne.
It was a western. And as I looked at that movie, I said, "Well, it was a very good western, John Wayne is a very fine actor and it was: a fine supporting cast. But it was just basically another western, far better than average movies, better than average westerns."I wondered why it is that the western survives year after year after year. A good western will outdraw some of the other subjects. Perhaps one of the reasons, in addition to the excitement, the gun play, and the rest, which perhaps is part of it but they can get that in other kinds of movies but one of the reasons is, perhaps, and this may be a square observation–is that the good guys come out ahead in the westerns; the bad guys lose.
In the end, as this movie particularly pointed out, even in the old West, the time before New Mexico was a State, there was a time when there was no law. But the law eventually came, and the law was important from the standpoint of not only prosecuting the guilty, but also seeing that those who were guilty had a proper trial. Andrew Mc. Laglen called the film one of his favourites. I wanted Billy the Kid to just be Billy the Kid, a human being, not a bad little boy. Fenady was sort of a scholar about the Lincoln County Cattle War, which was a conflict over water and cattle—trading cattle—and John Chisum actually became a very powerful landowner. It was an American story."[8]Warner Home Video released Chisum for the first time on Blu- ray on June 7, 2.
See also[edit]References[edit]^Galley a Philosopher- Realist: Warners' Philosopher- Realist Warners' Philosopher and Realist Warga, Wayne. Los Angeles Times (1. Current File) [Los Angeles, Calif] 1. May 1. 97. 0: c. 1.^"Big Rental Films of 1. Variety, 6 January 1.
Chisum, Box Office Information". The Numbers. Retrieved May 2. John Wayne Finds Home in Durango Los Angeles Times (1. Current File) [Los Angeles, Calif] 2. Oct 1. 96. 9: g. 13^DUKE Los Angeles Times (1. Current File) [Los Angeles, Calif] 2. Jan 1. 97. 0: n. 6.^http: //www.
Richard M. Nixon (3 August 1. Remarks to Newsmen in Denver, Colorado".
The Squeeze Movie Review & Film Summary (2. Here’s a movie that would benefit from being broken up by late- night television commercials. The Squeeze” plays like something you’d stumble across on USA Network back in the days of “Up All Night.” All that’s missing is TV host Rhonda Shear and an ad for that spray paint- based fake hair in a can. The Squeeze” even has the courtesy to end with The Proclaimers’ “I’m Gonna Be (5. Miles),” a 2. 5- year old song that will never shake its association with the dismal Johnny Depp movie “Benny and Joon”. Were I not 7. 0 pounds heavier and decades more wrinkled, I’d have sworn I was watching this in 1.
Advertisement. The only way you might glean a favorable review’s worth of enjoyment from “The Squeeze” is if you like being sucked into '9. There is little else worth mentioning about this derivative, clunky, haphazardly written and visually dull sports movie except the performances by Christopher Mc.
Donald and Michael Nouri. My entire star rating goes to their antagonistic gambler characters. They say a movie is only as good as its villains. These villains are too good for “The Squeeze.”The film opens with a flash- forward of our golfer hero Augustus Maximus Baccus (Jeremy Sumpter) being threatened by Nouri’s character, Jimmy Diamonds.
Diamonds demands that Augie throw tomorrow’s golf game or else he’ll be killed. We’ll have to wait 4. Jimmy D. again, because we’re immediately sent back to the past to learn more about Augie. Before we learn All About Augie, however, we’re assaulted by the onscreen words I wish all moviedom would ban: “Based on a true story.”That phrase often serves as an excuse for filmmakers to poorly shape scenarios and drama. They think we’ll buy anything because it’s supposedly true. Well, truth may be stranger than fiction, but it doesn’t always result in good fiction. We’ll meet the real Augie in a snapshot during the closing credits.
If this movie accurately reflects the real story, the only question I have for him is “how does one live a life built entirely out of old movie clichés?” Please teach me how to do this. But I digress. It’s hard to get a bead on what “The Squeeze” wants to be tonally. At its core is yet another one of those tales where small- town folks somehow outwit big- city criminals with schemes so rudimentary and predictable that it’s hard to fathom how the criminals managed to stay employed in lives of crime. The first 1. 5 minutes feel like a typical Christian movie, with Jesus and God appearing in almost every line of lousy dialogue. Then it veers away from that tone (you’ll know exactly when it does) and becomes a drama about the perils of easy money. Then, it takes a very suspect dive into Las Vegas sleaziness, complete with a minority character serving as an exotic Other representing sex and drugs.
It then dives into a completely suspenseless winner- take- all golf game/hustle that ends in what I think is supposed to be comedy. Advertisement. The story kicks off when the radio broadcast of Augie’s record- breaking win at his hometown golf course catches the ear of an out- of- towner named Riverboat (Christopher Mac. Donald). Riverboat likes to gamble on golf, and he’s apparently quite the success. He and his partner “The Bank” (Katherine La.
Nasa) seduce Augie with wads of cash he can obtain by helping them hustle unsuspecting fellow gamblers. Augie looks more like a pizza delivery guy than a successful golfer (the movie literally admits this), so he’s the perfect candidate. Plus, he needs the money to help his family out. It’s one of these golf hustles that introduces Augie to Las Vegas, Jimmy Diamonds and the fists of Jimmy’s henchmen. As expected, there’s a gorgeous, small- town girl waiting patiently for our hero to get his act together and return to her. In “The Squeeze” she’s called Natalie (Jillian Murray) and she’s the sassy, sexy, mature and patient voice of reason whose warnings are never heeded in movies like this.
You don’t have to be Riverboat nor Jimmy Diamonds to know not to bet against the possibility that Natalie will assist in saving Jimmy’s ass before The Proclaimers torment us with their end- credits earworm. Writer- director Terry Jastrow has a history producing golf specials and documentaries on TV. Knowing this, I wish he’d just made a documentary about the real Augie. Jastrow’s love of golf shines through when he’s lensing the golf scenes, but the drama itself is subpar.
The real Augie simply telling his story to the camera would be far more compelling and entertaining than this. In Jastrow’s defense, the director does get hole- in- one level performances out of Mac. Donald and Nouri.
Nouri isn’t given enough screen time to be as effective as Mac. Donald, but their scenes together make one forget about Sumpter’s bland character. At one point, Jimmy Diamonds asks “have you ever seen the Devil?” as Riverboat enters the room, and Mac.
Donald fits Satan’s shoes nicely. Dressed in suits and a ubiquitous hat, oozing charm and chewing on a Southern accent with the tenacity of Meryl Streep channeling Foghorn Leghorn, Mac. Donald makes the movie.
Even when he’s forced by the screenplay to appear uncharacteristically sinister (something Nouri’s character does better), Mac. Donald never loses his successful grasp on Riverboat. “The Squeeze” rides off into the sunset with the wrong duo of characters, leaving the villains in an awful, out of left field comic situation. This would have been forgivable sitting in my apartment back in 1. I stole. As a $1. NYC movie ticket in 2. I wouldn’t take. Advertisement.