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In aesthetics, the uncanny valley is a hypothesized relationship between the degree of an object's resemblance to a human being and the emotional response to such an. Life and career 1958-1975: Early life and The Jackson 5. Michael Jackson was born on August 29, 1958, in Gary, Indiana to a family of Jehovah's Witnesses. Onika Tanya Maraj (d. 8 Aralık 1982), veya sahne adıyla Nicki Minaj (/mɪˈnɑːʒ/), Trinidad doğumlu Amerikalı rapçi, şarkıcı, söz yazarı ve aktris. 2001.

Iggy Azalea - Wikipedia. Amethyst Amelia Kelly, known professionally as Iggy Azalea (; born 7 June 1. Australian rapper. Born in Sydney and raised in Mullumbimby, she moved to the United States at the age of 1. She earned public recognition after releasing music videos for her songs "Pu$$y" and "Two Times" on You. Tube. She signed a recording contract with American rapper T.

Ver television online desde nuestra web gratis. Mira Listas m3u y toda la programacion de series, capitulos, dibujos, canales y peliculas las 24 horas. Amethyst Amelia Kelly, known professionally as Iggy Azalea (/ ə ˈ z eɪ l i ə /; born 7 June 1990), is an Australian rapper. Born in Sydney and raised in.

I.'s Grand Hustle Records imprint in 2. Ignorant Art, a mixtape.

Azalea's debut studio album, The New Classic (2. It topped the Billboard Top R& B/Hip- Hop Albums making Azalea the first non- American female rapper to reach the summit of the chart.[2] The album was preceded by her debut single "Work", and generated the US Billboard Hot 1.

Fancy". Azalea was featured on Ariana Grande's single "Problem", which peaked at number two while "Fancy" was number one; Azalea joined The Beatles as the only acts to rank at numbers one and two simultaneously with their first two Hot 1. She achieved three top ten hits simultaneously on the Hot 1. Black Widow", later that year.[6]Early life[edit]Amethyst Amelia Kelly was born in Sydney and brought up in Mullumbimby, New South Wales. Her father, Brendan Kelly, was a European- Australian painter and comic artist,[7] while her mother, Tanya,[8] cleaned holiday houses and hotels.[9] Azalea lived in a house that her father built by hand from mud- bricks, surrounded by 5 hectares (1. According to Azalea, she has some Aboriginal (Indigenous Australian) ancestry: "My family came to Australia on the First Fleet. Watch Book Of Shadows: Blair Witch 2 Youtube here.

My family's been in that country for a long time, over 1. If your family's lived in Australia for a long time, everyone has a little bit of [Aborigine blood]. I know my family does because we have an eye condition that only Aboriginal people have." Azalea has also said that her father "made her look at [art] as a teenager", which has always influenced her life and work.[9] She began rapping at age 1. Before embarking on a solo career, Azalea formed a group with two other girls from her neighbourhood: "I was like, I could be the rapper.

This could be like TLC. I'll be Left Eye."[1. Azalea eventually decided to disband the group because the other girls weren't taking it seriously: "I take everything I do serious [sic]. I'm too competitive."[1.

In pursuit of her desire to move to America, Azalea dropped out of high school. She worked and saved the money she earned by cleaning hotel rooms and holiday houses with her mother. She claims to have hated school, which, apart from art class, only made her miserable. She also said she had no friends and was teased for her homemade outfits.[1. Azalea travelled to the United States in 2. She told her parents she was going "on a holiday" with a friend, but eventually decided to stay and shortly afterwards told them she was not coming back home: "I was drawn to America because I felt like an outsider in my own country, I was in love with hip hop, and America is the birthplace of that, so I figured the closer I was to the music, the happier I'd be.

I was right."[1. 5] She recalled, "My mum was crying, saying, 'Just be safe.' I was thinking, 'I'm going by myself. I'm fucking crazy!'."[1. After her arrival in the US, she received her GED, and resided in the country on a visa waiver for six years, returning to Australia every three months to renew it. Azalea worked in the US illegally until February 2. O visa.[1. 7]Music career[edit]2.

Career beginnings in the US[edit]When she first arrived in the United States in 2. Miami, Florida, and afterwards lived briefly in Houston, Texas. Azalea settled for a few years in Atlanta, Georgia, working with a member of the Dungeon Family named Backbone.

During that period, she met future collaborators FKi and Natalie Sims.[1. She took her stage name from the name of her childhood dog, Iggy, and the street she grew up on, Azalea Street, where her family lives to this day.[2. She said people would laugh at her because "they thought my raps sucked." But having grown up getting laughed at, she was able to shrug it off.[2.

Meanwhile, she'd met someone from Interscope Records who encouraged her to move to Los Angeles, and so in the summer of 2. She was briefly managed by Interscope.[1. On 2. 7 September 2. Azalea released her first full- length project, a mixtape titled Ignorant Art, saying she made it "with the intent to make people question and redefine old ideals".[2. Her song "Pu$$y", was included on the mixed tape and features guest appearances from YG, Joe Moses, Chevy Jones, and Problem.

In November 2. 01. My World", directed by Alex/2tone. The video features a cameo appearance from character actor and former wrestler Tiny Lister, which earned her more attention due to its rising popularity online.[2. It's supposed to have like, all the ridiculousness of a big- budget '9. Azalea, of the video.[2.

In December 2. 01. Azalea revealed she would release her debut studio album, entitled The New Classic, as soon as she signed a major record label deal: "Once that's sorted out and I establish an overall sound and direction for the album, I will be able to know what artists would make for a dynamic collaboration".[2. On 1. 1 January 2. Azalea released the music video for "The Last Song", her third video from Ignorant Art.[2. In an interview with Billboard, released on 2. January, Azalea hinted at an Interscope Records signing, while also revealing hopes of releasing The New Classic in June, and for her debut single to precede it in March.[2. Label issues and Glory[edit]"I'm working with a different production company for my album than what I did for my mixtape Ignorant Art, and I don't know who yet.

I'm still looking. T. I.'s gonna be helping me with it, kinda like A& Ring, kinda like executive- producing. He called me up and was like, 'Yo.' And I was like, 'Definitely. You're Tip. I love you, of course.' So he's gonna be kinda helping me out, like just kinda reaching out to people and helping me find production and pointing me in the direction of things that I might like. We're gonna start on that next week together. I'll probably fly out to Atlanta and we'll do it in between there because he's weird with traveling and stuff. I understand. We're in touch with each other.

I have legal issues, he has legal issues. I get it. So hopefully that will be really dynamic and it'll help speed things along."— Azalea speaking on her phone call and decision to work with T. I.[2. 8]Azalea reached out to Southern rapper. T. I., for the direction of her debut album.

T. I. was set to executive produce. The New Classic, soon after a phone call the two had. At the time, Azalea was eyeing a summer release for The New Classic: "Hopefully if all goes to plan, my album will be out in June and I'll have it recorded by the end of the month."[2. However, after Interscope did not allow T.

I. to be an ongoing part of her deal, Azalea opted not to sign with the major label and stay independently signed to Grand Hustle Records, until the release of her first album, which had then been postponed.[2. In early 2. 01. 2, Azalea was featured on the cover of XXL, as part of its annual "Top 1. Freshman List", along with fellow up- and- coming rappers French Montana, MGK, Danny Brown, Hopsin, and Roscoe Dash.[3. On 1 March 2. 01. T. I. announced he signed Azalea to Grand Hustle Records, along with rappers Chip and Trae tha Truth.[3. On 2. 6 March 2. 01.

Azalea posted "Murda Bizness", the intended lead single for The New Classic, on her You.

Uncanny valley - Wikipedia. An empirically estimated uncanny valley for static robot face images[1]In aesthetics, the uncanny valley is a hypothesized relationship between the degree of an object's resemblance to a human being and the emotional response to such an object. The concept of the uncanny valley suggests that humanoid objects which appear almost, but not exactly, like real human beings elicit uncanny, or strangely familiar, feelings of eeriness and revulsion in observers.[2]Valley denotes a dip in the human observer's affinity for the replica, a relation that otherwise increases with the replica's human likeness.[3]Examples can be found in robotics, 3. D computer animations, and lifelike dolls among others.

With the increasing prevalence of virtual reality, augmented reality, and photorealistic computer animation, the 'valley' has been cited in the popular press in reaction to the verisimilitude of the creation as it approaches indistinguishability from reality. The uncanny valley hypothesis predicts that an entity appearing almost human risks eliciting cold, eerie feelings in viewers.[4]Etymology[edit]The concept was identified by the robotics professor Masahiro Mori as Bukimi no Tani Genshō (不気味の谷現象) in 1. The term was first translated as uncanny valley in the 1.

Robots: Fact, Fiction, and Prediction, written by Jasia Reichardt,[6] thus forging an unintended link to Ernst Jentsch's concept of the uncanny,[7] introduced in a 1. On the Psychology of the Uncanny."[8][9][1. Jentsch's conception was elaborated by Sigmund Freud in a 1. The Uncanny" ("Das Unheimliche").[1.

Hypothesis[edit]. In an experiment involving the human lookalike robot Repliee Q2 (pictured above), the uncovered robotic structure underneath Repliee, and the actual human who was the model for Repliee, the human lookalike triggered the highest level of mirror neuron activity.[1. Mori's original hypothesis states that as the appearance of a robot is made more human, some observers' emotional response to the robot become increasingly positive and empathetic, until it reaches a point beyond which the response quickly becomes strong revulsion.

However, as the robot's appearance continues to become less distinguishable from a human being, the emotional response becomes positive once again and approaches human- to- human empathy levels.[1. This area of repulsive response aroused by a robot with appearance and motion between a "barely human" and "fully human" entity is the uncanny valley. The name captures the idea that an almost human- looking robot seems overly "strange" to some human beings, produces a feeling of uncanniness, and thus fail to evoke the empathic response required for productive human–robot interaction.[1. Theoretical basis[edit]A number of theories have been proposed to explain the cognitive mechanism underlying the phenomenon: Mate selection. Automatic, stimulus- driven appraisals of uncanny stimuli elicit aversion by activating an evolved cognitive mechanism for the avoidance of selecting mates with low fertility, poor hormonal health, or ineffective immune systems based on visible features of the face and body that are predictive of those traits.[1. Mortality salience.

Viewing an "uncanny" robot elicits an innate fear of death and culturally- supported defenses for coping with death’s inevitability.. P]artially disassembled androids.. A mechanism with a human façade and a mechanical interior plays on our subconscious fear that we are all just soulless machines. Androids in various states of mutilation, decapitation, or disassembly are reminiscent of a battlefield after a conflict and, as such, serve as a reminder of our mortality. Since most androids are copies of actual people, they are doppelgängers and may elicit a fear of being replaced, on the job, in a relationship, and so on.

The jerkiness of an android’s movements could be unsettling because it elicits a fear of losing bodily control."[1. Pathogen avoidance. Uncanny stimuli may activate a cognitive mechanism that originally evolved to motivate the avoidance of potential sources of pathogens by eliciting a disgust response. The more human an organism looks, the stronger the aversion to its defects, because (1) defects indicate disease, (2) more human- looking organisms are more closely related to human beings genetically, and (3) the probability of contracting disease- causing bacteria, viruses, and other parasites increases with genetic similarity."[1.

The visual anomalies of androids, robots, and other animated human characters cause reactions of alarm and revulsion, similar to corpses and visibly diseased individuals.[1. Sorites paradoxes.

Stimuli with human and nonhuman traits undermine our sense of human identity by linking qualitatively different categories, human and nonhuman, by a quantitative metric, degree of human likeness.[1. Violation of human norms.

The uncanny valley may "be symptomatic of entities that elicit a model of a human other but do not measure up to it".[2. If an entity looks sufficiently nonhuman, its human characteristics are noticeable, generating empathy. However, if the entity looks almost human, it elicits our model of a human other and its detailed normative expectations.

The nonhuman characteristics are noticeable, giving the human viewer a sense of strangeness. In other words, a robot stuck inside the uncanny valley is no longer judged by the standards of a robot doing a passable job at pretending to be human, but is instead judged by the standards of a human doing a terrible job at acting like a normal person. This has been linked to perceptual uncertainty and the theory of predictive coding.[2.

Religious definition of human identity. The existence of artificial but humanlike entities is viewed by some as a threat to the concept of human identity.[2. An example can be found in the theoretical framework of psychiatrist Irvin Yalom. Yalom explains that humans construct psychological defenses in order to avoid existential anxiety stemming from death. One of these defenses is specialness, the irrational belief that aging and death as central premises of life apply to all others but oneself.[2. The experience of the very humanlike "living" robot can be so rich and compelling that it challenges humans' notions of "specialness" and existential defenses, eliciting existential anxiety. In folklore, the creation of human- like, but soulless, beings is often shown to be unwise, as with the golem in Judaism, whose absence of human empathy and spirit can lead to disaster, however good the intentions of its creator.[2.

Conflicting perceptual cues. The negative effect associated with uncanny stimuli is produced by the activation of conflicting cognitive representations. Perceptual tension occurs when an individual perceives conflicting cues to category membership, such as when a humanoid figure moves like a robot, or has other visible robot features. This cognitive conflict is experienced as psychological discomfort (i.

Several studies support this possibility.